Amid the thrillers and grand narratives of the 24th Pune International Film Festival, director Sophy Romvari’s Blue Heron has emerged as a gentle yet profound voice of reflection. Featured in the World Competition category, the film transports audiences to late-1990s Vancouver Island to explore an emotional landscape that is as specific as it is universal.
The story is seen through the lens of the youngest sibling, Sasha, as she navigates a household dominated by the volatile presence of her eldest brother, Jeremy. Struggling to fit into social structures and constantly seeking attention, Jeremy’s actions unsettle the family's emotional equilibrium.
However, the film’s beauty lies in its evolution. Through the act of remembering, and the meta-narrative of filmmaking itself, Sasha’s childhood anger and confusion gradually shift toward compassion. She begins to see the kindness beneath Jeremy's chaos, ultimately choosing to forgive.
A pivotal emotional anchor is the mother, played by Iringo Reti. In a performance defined by its "remarkable restraint," Reti portrays a woman who must hold the family together at the cost of her own emotional release.
In an interaction at PIFF, Reti shared the unique challenge of the role:
There were many moments where I wanted to cry, but the mother could not cry. I wasn’t allowed to cry on camera. She is someone who feels intensely yet cannot afford to break down.
Iringo Reti
